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#bookarts

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Fellow bookmaking f(r)iends: Thirty seconds into this video, she has a great visual of why folding with the grain is so much better than folding against the grain, and I love it when something kinda makes sense in class, but then a great visual makes it BLOOM into total, complete, obvious sense that I will carry with me always.

youtube.com/watch?v=5VxME6OIQS

I've been haphazardly building a book/manuscript/calligraphy-oriented sample library, but I don't have the doggedness or singular focus of people like Heidi Gustafson (not to mention the resources of organizations like Harvard or Library of Congress).

I would LOVE to have more local ink swatches, handmade paper scraps, etc. Do any crafters in or or or ever exchange samples of their material experiments?

The LAND2 / University of the the West of England Bookarts symposium 'Printmaking, Artists’ books, Landscape and Nature' was brilliant last week — showing the amazing work that comes when artists work with scientists, geographers, geologists, poets and more. There’s an archive page with presenters' links here: bookarts.uwe.ac.uk/land2day/
Image: Letters to the Void by Tracy Hill, from her Porosity series. Lithographic drawing on stone