挑選日本電影，找有 #橫浜流星 的，基本上都有一定水準。
#正体 這部片是久違的我喜歡的日本電影，沒有誇張的演技，沒有明顯灑狗血的痕跡。我相當喜歡！
這部影片有一個很值得看的原因，它在談論 #日本 惡名昭彰的「Hostage Justice」司法體制。我是在 #衝撞日產 這本書裡第一次看到這個名詞，日本之所以偵查犯罪，最後的定罪率高達9X%，不是他們偵辦能力很強，更多可能是來自於強迫被起訴的人認罪。
這讓我想到現任駐日外交官謝長廷大使，發文指出日本的定罪率很高等等的理論，來評論柯文哲事件，批評台灣時常抓錯人，以及定罪率很低是一個糟糕的事情，讓我一定程度的看清楚了謝長廷其實並不了解日本的司法系統，讓我對謝長廷採取了更保留的態度。
I made a sequel. It's not as good. I wanted to have #Muhammad here but that was against content policy, then I tried requesting a #faceless Muhammad like in classic Islamic art but that was still against policy, so I subbed him out with his daughter #Fatima. Other than her the figures I requested were #Moses, the #VirginMary, #Confucius, #Buddha, and #Ganesh. I can't identify who these extra people are supposed to be. Joshua? Rama? Isaiah?
Kanitlow
"Kanitlow, I am losing your face". Those were the words of Mexican Photographer Luvia Lazo's great grandfather, who was losing his eyesight ... Words that inspired her Photo Series. These photographs serve as a record of her community, the indigenous Zapotec People and their culture which fades with the passage of time
Kanitlow
"Kanitlow, I am losing your face". Those were the words of Mexican Photographer Luvia Lazo's great grandfather, who was losing his eyesight ... Words that inspired her Photo Series. These photographs serve as a record of her community, the indigenous Zapotec People and their culture which fades with the passage of time
