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Emeritus Prof Christopher May

This week I've been mainly reading no. 89.

James Elkins, What Painting Is (2000) is a strangely compelling discussion of the practice(s) of using the extended metaphor of alchemy. Elkins manages to convince you that this is an interesting way of understanding what painters do when by illustration of painterly practices & alchemic ones. Focussing on the surface of paintings, Elkins offers a idiosyncratic approach to understanding painting as process

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